I found out about IntrigueCon during the pre-game discussion leading up to that time I tried to pull some Wizard of Oz tomfoolery during a Pathfinder one-shot. In a city where the local anime convention can attract over 9000 fans and the general interest Expo attracting tens of thousands, you would think by making some not-so-wild assumptions that there are a lot of people who play tabletop roleplaying games in Edmonton. And there are. But as one of the players around the table was saying several weeks ago, it can be hard to run a convention based on this particular hobby because it is too much like monogamy: once you find the one table you want to play at, you tend to settle in and stop looking at what the market has to offer. As much as I am inclined to accept that model for my love life, I have come to find that my tabletop gaming life should be different in this way.
I don’t have a problem with my usual D&D group, but for some time now I have been open about my desire to play at other tables. It’s not that I dislike playing with them, it just gets too routine after a while and I get worried about contracting geek social fallacy #5. That is one of the reasons why I decided I needed to go to IntrigueCon, to play at tables with people I never would have met otherwise and to expand my horizons, and that I did.
The first game I got to try was one called Threadbare. It was obviously still in the development stage, but I could not help but be intrigued by the opportunity to play in a world that is a perfect mix of Toy Story and Wall-E. Each character is assembled from toys or other junk. My character was a sock puppet (a “wool sock” is a very specific archetype right there on the playbooks) aptly named Red. The rules look similar to Apocalype World, which I have not played yet, but much simpler. We relied on only three characteristics (scrounge, strongarm, and smile) rather than five (cool, hard, hot, sharp, weird). Like in Apocalypse World, the statistics are more personality traits than they are measures of physical qualities like strength or dexterity. I think this lends itself to more role play than roll play. though I found out the hard way what happens when you botch too many scrounge rolls in a row. Negative consequences take the form of having to tear a piece off your character which is both neat and distressing at the same time. So there I was, hoping to repair some minor damage, but ended up stripping it down to just the base sock as I thrashed madly in a pile of parts.
The part of Threadbare that struck me as the most profound is that in the science fantasy setting we played in, nothing was inanimate. We tend to think of hot air balloons, jet planes, etc. as things rather than friends or enemies. You really have to rethink your playing strategy when your party contains a sentient fried egg plushie who starts speaking to, and nearly going fisticuffs with, the getaway jet. I think a game like this has a lot of potential for assumption-smashing and that’s what made it fun even as I had to tear another piece off my character. The boundaries are at least as mutable as in a D&D world if not more so, since it’s not every fantasy world where your wagon (let alone your horse) might have some suggestions or objections to how to proceed with your adventure.
I think Threadbare, in its complete state, might be great to play with kids who aren’t quite old enough to introduce to D&D, World of Darkness, etc. as the rules are very easy to understand and the setting can be dark and gritty without the need for explicit violent or sexual content. At the same time, the “stitchpunk” setting is also far from being so obnoxiously saccharine that adults who are seasoned tabletop players will still be able to access it with their role playing brains rather than their caregiver brains.Once it is finished I am sure the potentials will outweigh the pitfalls in the case of Threadbare.
The next morning the second session started where I had signed up to play the Maid RPG. I knew going in, based on my experience of anime fandom culture, that there was a high risk that this would involve some elements that would be off-putting to people who actually view women as people. However, I came to try things that were different from my regular D&D (typically an ensemble cast of heroes in a high fantasy setting) and what could possibly be more different than a game based on being the best maid?
Indeed, some of the rules that came straight out of the book were pretty gross. However, the great thing about the authority of the DM (I got to run part of the session that was set in an actual dungeon, so DM is sometimes more apt in Maid than GM) is that you can exert some authorial power to take the edge off thing a bit. I know if I could do it again I would shy away from the scenario where players can gain favour by “accidentally” kissing an NPC. Or, if I am going to run something where women are seen as playthings for entitled rich men, then I would at least create a setting where boorish ribaldry could be played for laughs. If someone hasn’t created a Trump Tower themed Maid adventure yet, I know what’s going on my list of homebrew scenarios to run.
The best part of the game, though, was that it involved aggressive action without (necessarily) violence. Competition without the need to see someone die. It was a neat little mix because it didn’t dispense with any of the tension inherent in games where there is a little bit of combat simulation, yet completely avoided the concept of “hit points” et. al. In this game you simply have to prevent your stress level from getting too high. It is hardly unique to emphasize the need to do more than hit things with a sword or shooting things with a gun; what I am impressed by is how vicious Maid can get without going there. It’s certainly not a game about talking and friendships either. It is every Maid for herself in a quest to gain favour.
After that new experience I went to the next session for something a little bit familiar: Dungeons and Dragons. We played the introductory adventure in the new Curse of Strahd adventure book. This was a good old dungeon crawl where I finally got to stress test my halfling fighter that I am playing in another campaign that involves far more investigation and conspiracy than swordplay. However, I am running long in the word count for this post so the whole story will have to wait. To be continued…