Last time on Almost Infinite… and now, the conclusion:
Playing D&D 5e is, for me, a little bit like coming home to a new apartment: it’s not familiar like where you have lived for years, yet it still feels good to get there and relax on your familiar furniture. I was entirely comfortable in the high fantasy setting of Ravenloft as a sellsword with an abundance of smart remarks and improbable sword tricks. It was, in most ways, the opposite of the game I was to play next: Shadowrun.
I am not saying Shadowrun is bad or that I did not have any fun. However, it wasn’t anything like my D&D experience and not just for the obvious differences between high fantasy and steampunk. The D&D character sheet can be up to three pages long, but the second two are optional. I can explain, in very short order, what everything on page one means to someone who has never played before. My Shadowrun character sheet looked like this:
I like to think of myself as a tabletop gamer of more-or-less average skill and ability, but this was a bit too much for me. I played Karl, the Elven gunslinger adept, as a sort of savant who was extremely good at the things he is good at (my dice pools for many of the rolls I was making seemed quite good) yet was prone to spacing out during negotiations and having seemingly no grasp on the world he lives in despite having been a part of many missions in the past. This was necessary because that was me, except for the part where I had played the game before. As soon as I started playing the game it was quickly apparent that despite the fact that not all players considered themselves to be well-practiced, anyone who had ever played the game before seemed to have a great deal of knowledge the weird jargon that mercenary-adventurers use and the setting in general. The majority of my out-of-character sentences had to start with “What is…?” I was thoroughly lost until I was told what to roll to do a thing. I had heard rumours about how cool the setting is, and my experience confirmed that to be true. I wanted to try it and I am glad I did. What I found, though, is that this isn’t something that I am going to have the time to pursue in a way that I could truly appreciate the depth and complexity of a Shadowrun adventure. I was just glad to go home and to bed after that.
And then, on the third and final day of the convention, I did not get to try the Sftabhmonton adventure. I was signed up to, but only myself, the DM, and one other player showed up. We decided to forgo trying to run the game with only two players in favour of having a great discussion about the game itself. Sftabhmonton is an intriguing remix of the old school D&D. I think you would recognize a lot of it if you’ve either read about it or experienced the old editions for yourself. However, this finely crafted mixture of homebrew and OSR is not just limited to “kill ugly people and take their treasure” adventures that the old editions are known for. It is a living world with a history generated through play. The appeal to me is obvious: I started writing because I wanted to promote the idea that games, tabletop RPG in particular, can be an agent for positive social change and creativity. I hope I never get snobby about playing new systems that push boundaries because Sftabhmonton looks like a great example of how it can be done with a rule book thoroughly grounded in the history of fantasy tabletop RPG but not necessarily sharing all of its cultural conceits. I hope to actually get to play someday.
I also heard about The Dwarvenaut during this discussion and decided I needed to watch it due to my love for visual grid maps, and Stefan Pokorny really takes it to the next level. I found it to be mediocre as a documentary. Compared to the subjects of American history and Broadway musicals, one would think a guy who writes a blog about games would gravitate more towards the story of a man who was able to achieve his dream of building a successful company out of his D&D hobby than to a PBS documentary about one of the Founding Fathers. However, I found myself easily distractable while trying to watch The Dwarvenaut and absolutely transfixed by Hamilton’s America. However, if you are interested in tabletop gaming, I think it is well worth putting in the effort to watch The Dwarvenaut because the underlying story is really quite good. I don’t know if I could ever justify the expense of what such a beautiful set of map building tools would cost, but I am thoroughly impressed that he was able to make it work and Stefan seems like a genuinely interesting person. I am therefore glad that Dwarven Forge exists even if I’m not a likely customer.
So, after such a packed weekend of gaming, what is my big take-away? In order to be a better player who can push different boundaries in new and interesting ways rather than just reiterating one of my favourite characters from other media, I can’t just play at my own table and read widely. Reading is good, but I have to get out and play more at other tables on a more regular basis. That experience will not only be rewarding on its own merits, it will make my private games better. So, having had such a great time, I will sure to be coming around to play at IntrigueCon 2017.
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